All posts by Amber

Amber Week

Amber during AMBER WEEK
Amber during AMBER WEEK

After spending a scary and intense four days in the hospital with my son (emergency appendectomy), and following a week of deeply emotional book stuff (which I blogged about here), and in anticipation of summer vacation during which both my personal and work time are severely curtailed, I declared last week to be AMBER WEEK.

What, you ask, does Amber Week mean?

It means that each day I asked myself, “What do I want to do?”

The sad truth is that often for busy people, especially busy moms, we so rarely ask this question that when it is posed, coming up with an answer can be downright flummoxing. I always have a to-do list a mile long, and my kids always have needs. Why bother with the question when what I want is often the bottom of the pile priority-wise?

During Amber Week, I kept asking the question. Sometimes finding an answer came easy. Yes, I want to go to yoga with Liz! Yes, I want to go for a run in the forest! Yes, I want to have someone else clean my house for a change! Yes, I want to take a nap!

Sometimes the answer was harder to find. Would it feel better to go for a run or pull weeds in the garden? Do I want to knock off the things that have been on my list for four months or go pick strawberries? It was interesting to prioritize with my own satisfaction in mind rather than a deadline or pleasing someone else or dousing the fire burning most furiously.

Often–to my great satisfaction–I found that I wanted to work, which right now means editing essays for THE V-WORD.  How lucky is that? My work as a writer is what I want to do most of the time.

It got me thinking about the lesson of Amber Week.

There are always going to be to-do lists, deadlines, and needs to meet. Can I reframe those things in the light of my satisfaction?

I weed my garden not because weeding is so fun but because I want to have yummy vegetables. I drive my kids to soccer four days a week not because I like driving so much but because I want to see the joy on their faces as they bound off the pitch at the end of practice. I want to work on my books not because writing is easy but because the process exhilarates me.

It might not work for everything. (Hard to imagine a way cleaning up kid puke, for example, is satisfying other than that it is gone.) But the lesson of Amber Week is to focus on what feeds my body, my heart, and my spirit. If the task or commitment isn’t fun or doesn’t serve some larger purpose that matters to me, then it has no place in AMBER WEEK.

Or AMBER LIFE, for that matter.

 

 

My beating heart

IMG_9665Today words don’t come easy. I am awash in emotion, celebrating, reveling, and yes, weeping too.

My story has found a home at Carolrhoda Lab.

Andrew Karre took world rights to Amber Keyser’s YA novel, The Way Back From Broken, in a two-book deal. The novel follows two adolescents, one 15 and one 10, who are both older siblings of infants who died. When the two kids are taken into the Canadian wilderness by one of their mothers, the publisher said, they find disaster, “in addition to the fragile hope and terrible beauty that mark the way back from broken.” Agent Fiona Kenshole at Transatlantic Literary brokered the deal for Keyser. The second book in the deal is a currently untitled YA novel.

What this lovely announcement from Publishers Weekly doesn’t capture is what this story means to me. In a Dear Sugar piece, Cheryl Strayed talks about her book, the book she had to write, which pulsed in her chest like a second heart. Upon  writing the last word, she wept. “I didn’t know if people would think my book was good or bad or horrible or beautiful and I didn’t care. I only knew I no longer had two hearts beating in my chest. I’d pulled one out with my own bare hands.”

THE WAY BACK FROM BROKEN is that book for me. When I brought it forth, it cemented the tender repairs to my shattered self. When I laid it before my friend and agent, Fiona Kenshole, she knew it for what it was–an offering, a prayer, the completion of a promise. She guided it into the most trustworthy of hands.  Andrew Karre is an editor who knows blood on the page when he sees it.

I am grateful.

Speaking Up

Voice.

Voice is connection.
Voice is speaking our own truth.
Voice is the driver of our narratives.

silenced terror large

After being raped, Maya Angelou didn’t speak for years. In an interview with Terry Gross, she told how she found her voice so she could love poetry.

The #WeNeedDiverseBooks campaign blew up the internet because stories are the most profound way for us to connect across differences. We need to hear the voices of those who experience life outside of our own private bubbles.

My son overheard a friend making a comment, presumably in jest, about killing himself. He could have brushed off the throwaway comment, but instead he came to his parents. And we went to the boy’s parents. And the boy is still mad.

The recent attack in California and its anti-woman underpinnings have prompted many women to speak out about the sexism they face every day.

Voice.

The imperative is to find it and use it.
Use it big and use it small.
Never go mute.

I wish…

Yesterday, a writer friend and I were leaving a restaurant and our very young male server said, “Thanks, Girls.”

We paused at the door, looking at each other. “Did he just call us girls?”

We laughed and walked out. The easy thing. But I wish I’d turned around and gently, very gently, reminded him about respect. It would have been a small thing. A small response for a small ignorance.

But I would have used my voice.
And he might have faced the world differently from then on.

 

 

Poets, Virgins, LSD & More on the Writing Process Blog Tour

1980 Amber reading
10 Year Old Me, Weird Already

One of the best things about being a writer is getting to know other writers. We’re a quirky bunch, I tell you! So when poet Drew Myron and novelist Rosanne Parry invited me to join an online conversation about writing process, I jumped on board. Who wouldn’t want to listen to a bunch of writers spill the inner workings of their wordy brains?

In a series of blog posts like this one, we’ll each answer four questions about our writing process. You’ll get to see behind the scenes and discover some new books along the way.

Once you get a taste of Drew’s evocative, tender language, I know you’ll crave more. Visit her writing process post here and a link to her books here.

Rosanne is a master of middle grade fiction. She creates deftly-drawn characters who never let you go. Her writing process interview will post to her blog on the 17th, and her books, including the amazing WRITTEN IN STONE are here.

And on to my personal variety of writer-geekdom…

What are you working on?

I’m working on a project that scares me. And that’s good. It’s pushing me way out of my comfort zone in topic—it’s a young adult anthology of essays by women about losing their virginity—and in process because I’m acting as an editor for the contributors, something I have never done before.

But in spite of my jitters about how such an edgy book will be received, I am more convinced every day of its importance. I hope that the book will empower readers to take charge of their own sexuality, whether that means saying no or saying yes. If young women don’t, someone else will take charge of it for them.

THE V-WORD will be published in 2016 by Beyond Words, an imprint of Simon & Schuster.

How does your work differ from other writers in your genre?

The only book on the shelves that I think is comparable to this one is LOSING IT, an anthology of short stories by YA writers. It’s a brilliant collection and you should read it, but it’s fiction. THE V-WORD is 100% true, and you’ll be astounded by the raw honesty of these talented writers. Every day I’m grateful that I have the opportunity to bring these stories to the readers who need them.

Why do you write?

Because I am stubborn and complicated and I like stories of all kinds.

What is your writing process?

My nonfiction books are usually sold on proposal so I do a lot of research up front. I need to have a very good sense of the story I am trying to tell and the shape it will take before any writing begins. The key to nonfiction is finding the right structure to carry the focal theme through to the end. After the book is under contract, the editor and I will refine the structure and outline together. With all that groundwork done, I start writing and add in research as needed.

For fiction, most of the pre-writing I do is around finding the voice of the main character. Once I have a sense of who this person is, then I generate a rough outline of the plot. The details sort themselves out as I proceed with drafting, my favorite part. After the first draft, comes the scissor-stage where I cut the thing apart and tape it back together. I have come to accept that there will always be radical and painful change.

But like I said, I’m stubborn.

________

Now I invite you to visit the blog of Kiersi Burkhart, who most famously described me as “stubborn as fuck.” She’s a fun and feisty writer of middle grade and YA fiction as well as a contributor to THE V-WORD. 

While you’re on the move, I encourage you to visit Ruth Feldman, writer of historical YA time travel novels. Ever wondered about the connections between free speech, LSD and medieval Paris? Look no farther than THE NINTH DAY.

#WeNeedDiverseBooks

WeNeedDiverseBooks.001Today is the start of a three-day  social media campaign to highlight the need for diversity in books for kids and teens.

All the details are right here. Post your own picture or reshare mine. Let’s plaster the internet with a call to action.

Thanks to the Diversity in YA bloggers Cindy Pon and Malinda Lo as well as Oregon author Chelsea Pitcher for us fired up.

Books should be windows into lives different from our own and also mirrors where we find ourselves reflected.

#WeNeedDiverseBooks

 

Me and the Deadline God

The Deadline God by Wylie Elise Beckert

The only thing I like about deadlines is telling people, “I’m on deadline” and watching the impressed/sympathetic look on their faces.

Really, that’s the only thing.

Getting things done as a writer (with all those hours and hours of potentially distraction-filled time) is knowing your own process, especially knowing what is likely to get you bogged down. I have learned to read myself pretty well.

Stuck but almost breaking through the wall feels one way, and it means I need to stay in my chair and power through. Stuck but depleted feels different and means I need to get out of my chair and take a run to recharge my batteries. Stuck and never doing this again requires whiskey.

One thing I know for sure is that I don’t like or need deadlines. I know what needs to happen to get a book done, and most of the time, I like doing it. I plan my time so that there isn’t a rush to finish line. I don’t do my best work under pressure or time-constrained or sleep-deprived. I am not a sprinter. I do endurance best.

Can you think of anyone who works well under pressure? Because I’m almost certain that nobody can. Regardless of whether you’re a writer (like me), an CEO of a successful global company, or an office worker, it is hard to complete daily tasks and to perform to your highest standard on a lack of sleep. And it can affect anyone, for a variety of particular reasons. My friend had sleep deprivation not so long ago and said it was down to her stress, so decided to have a look for the best CBD oils in her area to see if this would help her to feel better on both counts. Luckily for her, it did. And to be honest, I may decide to do the same too. But if I take my time and don’t rush, I will be at the finish line before I know it.

On the wilderness canoe trips we take every summer, I carry a very heavy pack (half my body weight) over portages. I am slow but I don’t stop much and I get to the end when I get there. On the lakes, I can paddle for hours–not fast but steady. I’m a long-distance kind of gal.

But sometimes things happen.

In the lead up to the book I turned in yesterday, for example, I had three travel days for work, tax day (with unexpected complications), my daughter’s birthday party, Passover (hosted at my place), and my usual everyday stuff.

So I needed an extra day from my editor, which she was happy to offer, but made me feel like I’d let myself down. (Mantra: professional writers meet all deadlines.) And I had to work in a pound-it-out way that is very far from my natural rhythm.

Now I know there are those of you who love deadlines, who relish the chase and love the hot breath of the Deadline God on your neck. Happy times for you people!

But me…

… not so much.

If you don’t mind, I’ll get back to work now. There are deadlines in sight, and I plan to meet them for a civilized cup of tea.

BEYOND MAGENTA and the power of story-telling

This book…

Oh. Sigh. Wow!  I loved it so much.

It reminded me yet again of the power of telling our true stories.  The young people who tell their stories in BEYOND MAGENTA by Susan Kuklin captured me, not with their fancy prose, but with the deep truth of their own personal experiences.  I want to hug every single one of them for being brave enough to be themselves in the world.  That’s hard for all of us sometimes and double hard for those who don’t fit easily into any of society’s little boxes.  And I want to thank them for letting me in. Bravo to photographer and author Susan Kuklin for making this book happen.

I am lucky to live a life full of stories.  I’m grateful to those who surround me with powerful true narratives especially Antonio Sacre and Lawrence Huff and The Moth and Story Corp and all the memorists whose books I’ve devoured and the documentarians who film our obsessions and to Laurie Halse Anderson for making YA a force for healing through SPEAK and her work with RAINN.

Take a moment today to honor stories—tell one on Facebook, buy Susan’s book, donate to RAINN in honor of sexual assault awareness month, or listen to someone’s truth.

This is how we rewrite the world.

What motivates you? Reward or Threat?

There were many things that spoke to me in the book Quiet by Susan Cain.  One of them was the dichotomy between introverts, who are often motivated by threat, and extroverts more motivated by rewards.  She discussed this concept in terms of evolutionarily stable strategies, a theoretical framework in which multiple behavioral strategies can exist in a population of animals as long as each strategy is the best strategy for different situations at different times.

Cain asks if extroversion seems so great, why wouldn’t natural selection have made us all extroverts?

Her hypothesis is that extroverts, who tend to go after big payoffs (maybe a juicy mammoth), tend to have success except when they don’t bother noticing that saber-tooth cat over the rise.  The strength of introverts is that they take the time to assess threats and make careful decisions.  If the introvert in the hunting party holds everyone back from attacking dinner, nobody becomes dinner.

Reward or threat?  What’s your primary motivation?  Going all out or playing it safe?  That doesn’t mean introverts don’t take risks, but they will be likely to think through their moves carefully.

Why am I babbling about this?  Well, I think that this framework explains my response to recent conversation with my agent.  A phenomenon that Laini Taylor has called mistrusting the yes.  Anyway, my agent and I were discussing the novel I’ve just finished which she is taking out on submission.  My lovely agent has high hopes for the book, and she said some very nice things about my writing.

So when we got off the phone, why did that blushy-glowy feeling trickle out through the bottoms of my feet so quickly?

We get a lot of rejection in this business.  Writers have to inure themselves to it.  Like Laini, many of us come to doubt that yes is ever coming, and when it does, we wave our fingers dismissively at it.

Like many writers, I’m a classic introvert—threat motivated.  As soon as I got off the phone with my agent, I started looking for predators.  I reminded myself that it would take a long time for editors to respond to our submission and many of them will say no.  I sent the book off into the world—because I’m not afraid of risk—but I also got real about possible outcomes.

Yet I don’t think this makes me a negative stick-in-the-mud.  Instead, my introversion makes me resilient.  A single no won’t shut me down as a writer.  Not even ten nos will.

I’ll keep writing.

The challenge for me—the real risk-taking—is learning how to savor the yeses when they come.

In a heartbeat

I asked a question: will you write for my book?

I got an answer: in a heartbeat.

I burst into tears.

Let me tell you, this book—The V-Word— has me by the heart and throat.  It is being born into a world where girls are bombarded by sex at every turn and yet no one is really bothering to ask them what they want or how they want to feel.  We’re all sexual beings.  Exactly how looks and feels different for each of us, but we all have to find our own way to be with our sexuality.  The subject is vital, and the book feels important and scary at the same time.  It matters, and I want to do it justice.

To do it right, means that I find women to contribute essays that are honest and frank and real.  I spend hours crafting emails that I hope convey the importance of the book, the vision I have for it, and why I think each person I contact is exactly the right person for the book.  It is harder than writing a novel.  I pour so much of myself into each one.  I was embrace what Amanda Palmer calls the art of asking—the way we make ourselves vulnerable, which opens a path for us to  connect on a deeper level.

And it is hard.

So when a writer, whom I admire for the way she lays everything bare, the way she refuses to allow dishonesty in her writing, responded: in a heartbeat.

I burst into tears.

The art of asking.

The gift of responding.

The power of stories.

I am grateful.

When to say YES and when to say NO

I’m a little over-extended.

My normal duties are already intense: writing books, supporting local creatives, taking care of my family, driving the kids to soccer, volunteering at school, and helping with Hebrew homework.

Yet in the past few months I’ve said “yes” to things that added to that load.  I agreed to spear-head the creation of a class project for our school auction, which led to many late nights and much worry about whether it would turn out right.  I agreed to co-host the 90-Second Newbery Film Festival tomorrow, which involves a comedy skit and song (way way way out of my comfort zone).  I agreed to co-write and act, along with my kids, in a Purim play for our synagogue, which added writing sessions and rehearsals to evenings already jammed with soccer practices.

Do I regret it?  NO.  I chose to do these things because I wanted to do them.  I thought they were important and fun.  I want to support my kids’ school.  I want to spread the love for marvelous middle grade books any way possible (even if it means singing).  I want my kids to feel like they are part of a vibrant Jewish community above and beyond going to services.

But…

Of course, there’s a but.  As these commitments wind down (Purim is on March 15th), I recognize that I’ll need to say NO for awhile.  I’ll need more downtime.  I’ll need to protect the space I need to write, to connect with my friends, and to take care of myself (sleeping, running, yoga, rock climbing).

I’ll also need to step-back and reassess my recurring commitments.  Have I struck the right balance between my writing, my volunteer work and my family?  Am I working on projects that further my professional goals?  Am I spending time with people who support me?  Are there ways that I can open up more space for the things that are most important to me?

I strive to put my time and energy into things that make me who I want to be.  The key to when to say YES and when to say NO is about knowing what I value not what others expect.

“We are our choices.”