This weekend I’m performing in my first aerial silks recital. I keep going back and forth trying to decide if signing up was a good idea or a terrible idea. I’m one of the very oldest people who trains at the studio, and there are definitely days when I think that maybe I’m too old for circus arts. On Sunday, when I do my routine, most of the audience will be the parents of the other performers. In other words, the audience will be made of my peers.
Am I going to look stupid? Is this going to be one of those cringe-worthy moments? Are those other parents going to wonder what the heck this mom-lady is doing performing with their children. I don’t know. It’s possible, but I’m doing it anyway. In the (many) years since I was doing ballet, I’ve missed performing. Doing book events is a kind of performance, but it’s not quite the same as training for weeks to put on a show designed to transport the audience to another realm. I’m pushing out of my comfort zone.
I’m not an adrenaline junkie or a big advocate of risky behaviors, but I do think that fear holds us back from taking risks that might be transformative like traveling to a new country or volunteering with a new group of people or writing a book, for that matter. Sometimes change feels too huge and too dangerous for any of us to have the audacity to take it on (um… current political landscape, anyone?) but I try to consider the other side of the scary thing. Will I regret not having tried? What would it mean for me to fail? What could it mean to succeed? I’m stubborn so usually I decide that I would rather do the scary thing than sit around wondering what might have happened.
What are you afraid to try?
What’s holding you back?
What might happen if you pushed out of your comfort zone?







When I was a kid I loved everything about going to elk camp—the campfires, the crisp mornings, the star-blanketed night skies. Usually I was the only kid, and my mom was often the only woman along with my father and his friends.
















“Cultural awakening comes not when one learns the contours of the master-narrative, but when one realizes…that what one has always been told is incomplete, backward, false, a lie.”
I just read an amazing book by 



The novel that I’m working on now explores what it means to be in a girl’s body in this world at this time. It’s about control and consent and physicality and wildness. It is also about space. How do we claim it? Fill it? Own it?