All posts by Amber

The Way Back From Broken – Cover & Contest

When you’re running whitewater, there’s a moment just before entering the rapids when the world stills. The canoe seems to hang in the air above the smooth tongue of green water that leads into the roiling waves. At that moment, it’s too late to be afraid, and there is a crisp, focused moment of joy.

Now is that moment.

Way Back from BrokenThis is the cover for THE WAY BACK FROM BROKEN, which releases on October 1st from Carolrhoda Lab. This novel holds both my heart and my history, and I am so grateful to be able to share it with you.

I have in my hands an advance copy of the book, and I am going to give it away to one of you.  If you sign up for my newsletter (which I send every 2 months or so), “like” my Facebook author page, or follow me on Twitter, I will enter your name in the giveaway. Do all three, and you’ve got three chances to win and be one of the first to read THE WAY BACK FROM BROKEN.

And more than that, you’ll have my gratitude for joining me in the rapids and helping me find the way back.

Be All There

Sometimes I hit social media like a rat hits a pleasure bar. Treat me. Treat me. Lots of uncertainty in my life these days. I blogged about it here and here. I turn to Facebook and Twitter hoping for something funny, something sweet, connection, and I confess, a bit of validation.

The result… I struggle to get into the flow space I need for writing to be fun and fluid and fast. I march. I drudge. I write the words and meet the goals. But it doesn’t feel good. To get the writer’s high, I need to really be in the story not grubbing around online hoping someone will tell me I’m smart and cute.

So here’s the reminder… for myself and for you.

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On love, loss, and the power of story

Version 2Last night I watched The Theory of Everything, and it left me with the same heavy, rich, complicated sadness that I felt upon finishing The Game of Love and Death by Martha Brockenbrough a few weeks ago. There is so much in both stories that is courageous and uplifting, beautiful and inspiring.

So why am I filled with canyon-deep heartbreak?

The truth is…

… I want love to win.

I want to believe that love is enough.

I want love to conquer pain and trump loss and endure beyond death.

But the Man in Black is whispering in my ear, “Life is pain, Highness. Anyone who says differently is selling something.”

My lens is loss. I know that. The death of my daughter will always be lodged in the center of my heart, proof that death wins. The pain of it doesn’t obscure my love for her, but it does reveal love’s shortcomings.

Like Jane and Stephen, we can love each other and still be unable to withstand the way we wear each other down. Like Flora and Henry, we can love each other and know that our love brings trouble into our lives. Like me, we can love each other and still not win against death.

And yet I am still the fool that says love is worth it. Again and again I go back to this quote I saw on my godmother’s refrigerator years ago. I wish I knew who wrote it.

We are simply asked
to make gentle our bruised world
to be compassionate of all,
including oneself,
then in the time left over
to repeat the ancient tale
and go the way of God’s foolish ones.

Most often I return to these words because I need the reminder of self-compassion, but when the pain of loss rises, I need to remember that the ancient tale is to love, to strive, and yes, to lose the ones we love.

Foolish? Yes.

But it is the only story around…

… and I believe in the power of the story.

Uncertainty (or Don’t Rely on Snakes)

image9When I was working as an evolutionary biologist, I did a project on a wild population of birds called blue grosbeaks. In the spring, I set up nets, caught birds, took blood samples and measurements, gave them colored leg bands, and released them. The rest of the spring and summer was spent chasing them around cotton fields with binoculars.

The team and I would spend hours making behavioral observations, identifying mated pairs, and finding nests. We set up tiny spy cameras to film the parents taking care of the young, and when the nestlings were old enough, we measured and banded them and took blood.

Like most scientific studies, we had multiple questions we hoped to address, but one in particular had to do with paternity. Was the male feeding the young at a nest actually their father? To answer that, I required blood samples from the male, the female and the nestlings.blood sample

And also like any good scientific study, I needed numbers. No one wants to draw conclusions from skimpy data. We needed lots and lots of family groups to figure out the things we wanted to figure out.

Each complete set of blood samples in the lab freezer represented hours and hours of work in the field. Hours catching adults. Hours (more than you can imagine) searching for nests. Days waiting and hoping that the nestlings would survive long enough for us to collect blood samples.

Imagine me, bleary-eyed at four am, stumbling along the edge of the cotton field to check nests and finding one after another empty. Reviewing the video footage later, I would watch scruffy little half-feathered chicks disappear down the maw of a hungry snake. One day, I came to work to discover that the farmer had bush hogged the edges of the fields, unknowingly mowing down every single active nest in the area. Imagine me crying out of sheer frustration.

Uncertainty.

I am a planner, a goal-setter, a lister, a completer of tasks. I like the way step A leads to step B leads to step C leads to me checking the box—DONE.

BOOM!

I like knowing where I’ll be in a month, in a year. That’s not to say I don’t like change because I do, but I like it on my terms and well-channeled with lists.

But uncertainty is lurking around every corner, an ambush in the making. You may or may not find the nest at all. You never know when the bush hog is coming. And you’d be insane to think you could count on snakes.

Uncertainty.

I’m facing it head on, and it’s sure as hell making me squirm.

Intuition, trust, faith – Lessons from SCBWI-WWA

IMG_5930I always leave writing conferences full of new ideas. Maybe a workshop has offered insight into some element of craft that I want to implement in my work in progress, or perhaps I’ve gleaned new strategies for social media and marketing.

I came home from the SCBWI-Western Washington Spring Conference with something a little different and probably far more valuable.

Sharon Flack and Nina Laden reminded me about intuition. Can I step back from over-analyzing and over-planning my projects and embrace the deep knowing of what my story needs?

Rachel Or asked us to trust in each other, in our art, and in ourselves.

David Wiesner spoke of faith in the ultimately unknowable act of creation that occurs when you commit to showing up on the page. Can I believe whole-heartedly in the process by which ideas are made manifest?

And to all this I will add kindness. A thousand thank yous to Dana Armin, Dana Sullivan, and Lily LaMotte for taking such good care of all of us this weekend. I was so happy to be among my people, to see your projects come to fruition, and to share my own. This writing business can be solitary and frustrating and heart-breaking, but it is also filled with the best people in the world.

And thus I begin work this morning full to brimming…

Intuition
Trust
Faith
Kindness

May they be yours as well.

 

Fav books, the writing life, and my literary masterpiece, Anatomy of a Bruise

I was happy to be featured on the Lerner Books blog today! Lerner is the publisher of my current nonfiction, Sneaker Century: A History of Athletic Shoes as well as The Way Back from Broken (coming October 2015). You can view the post here or read on below.
What was your favorite book you read growing up?
Hands down, it was The Voyage of the Dawn Treader by C. S. Lewis. I’ve probably read it thirty times. Oh, how I love Reepicheep! Close on the heels of this book comes My Side of the Mountain by Jean Craighead George. I always wanted my own Frightful.
What are some of your favorite childrens/young adult books that youve read recently?
Okay for Now by Gary Schmidt, El Deafo by Cece Bell, Rollergirl by Victoria Jamieson, Nation by Terry Pratchett, and Ill Give You the Sun by Jandy Nelson.
Who are your favorite contemporary fellow authors?
I can’t believe you are making me choose! That is a very cruel thing to do to a reader!
Right now I’m still gushing over Gary Schmidt. I admire the subtle ways he allows his characters to reveal deep emotional truths. A. S. King does this too. The writing of both Jandy Nelson and Laini Taylor has a pell-mell, technicolor intensity that I love. Nancy Farmer is a bomb story-teller, and she can do anything from survival stories in Africa to Vikings to alternate reality drug dealers.
Why did you start writing?
Before I was a writer, I was an evolutionary biologist. These might seem like really different jobs, but at the core, they are the same. I’m an observer. I want to understand how the world works and what makes people tick. Doing science and writing books are both ways to do this.
What are the hardest/easiest parts of writing for you?
The hardest part is when I let myself get emotionally invested in all the parts of the writing business that are out of my control: reviews, book sales, contracts, awards, etc. The easiest part is committing myself whole-heartedly to the story. That is what matters most.
How do you gather ideas for your books?
Ideas are easy. They are everywhere for the gathering. The trick is getting enough ideas to glom together into a book. Anything that interests me gets added to a list in my GTD software (The Hit List) called “Book Ideas.” Right now it has 28 entries including horse genetics, bronc-rider George Fletcher, and something called The Doom Dimension. For the current book, several of these ideas developed a magnetic attraction and BOOM! Suddenly there was enough bubbling out of the explosion to make a whole novel.
Do you have a writing routine?
As soon as my kids get on the bus, I’m at my desk. I take 15 minutes or so to glance at my email and check in on Twitter (@amberjkeyser) then I open Scrivener and get to work. When drafting, I try to hit 1,000 words before I take a break. When revising I try to work for at least three hours. Break time usually means a walk in the forest with our new puppy, Gilda. After lunch, I buckle down for another two hours.
How do you deal with self-doubt or writing blocks?
When the writing gets tough and I’m agonizing over every word, I have to ask myself what kind of “stuck” am I experiencing. Am I struggling because my batteries are depleted and I need to take care of myself? Or is it hard because writing is painful and I need to keep trying? When it is the former, I go for a run in the forest. Otherwise, I stay at my desk and remind myself that even if what I write isn’t great, I will fix it in revision. It is also important to remember that your writing environment can have a huge impact on your productivity. For instance, I have just purchased some new commercial grade chairs for my home office so that I can be as comfortable as possible when sitting at my desk. After all, no one wants back pain or an uncomfortable chair to distract them from writing.
Sneaker Century and The Way Back from Broken are really different books. How do you manage to write both nonfiction and fiction?
For me, writing any book requires the same things: free-flowing nonlinear creativity, deep research into the core elements of the story, detailed to-do lists on how to execute the plan for the book, and disciplined, grind-it-out time in front of the computer. They may occur in different proportions, but the ingredients are always the consistent. No matter the book, I have the same tasks: find the right structure to tell the story, create a voice that makes you want to read on, and bring the world to life with details you can sink your teeth into.
Do your kids influence your writing? If so, how?
Sometimes I write about very difficult subjects. You might assume that I would steer away from the edge for fear of what my children will think, but the opposite is true. They need me to be brave, incisive, and above all, deeply honest.
Tell us something we don’t know about you!
My very first book, penned in 2nd or 3rd grade, was called Anatomy of a Bruise. I remember one particular illustration that I was very proud of. It depicted the inevitable consequences of an apple falling off a table and smacking the ground. Another showed a time lapse series of a bruise healing from purple to greenish-yellow to gone. Also, I crocheted the cover with orange and turquoise yarn. Clearly, I was a yarn bomber way ahead of my time!

Ready to burst

Sculpture by David Kracov in honor of Rabbi Rossi Raichik, who saved over 2,500 children from the effects of the Chernobyl disaster
Sculpture by David Kracov in honor of Rabbi Rossi Raichik, who saved over 2,500 children from the effects of the Chernobyl disaster

Burst, rupture, explode, surge, gush, hurtle, plunge… A day in my life brought to you by the thesaurus. Everything is full to bursting. In some ways, that’s exhilarating. In others, challenging.

The good rush—

I am drafting a new novel, and it is pouring out of me, surging through the cracks, waking me up at night. It is a blazing, fragmentary, kaleidoscopic whirlwind of a book that is driving me into new territory.

The lightened future—

We are going to move, to pack the wagon, to reverse the trail, to embrace something new.

The coming breach—

I am decluttering. My house is an overstuffed suitcase about to face TSA. I want to purge and winnow. I want the fleet-of-foot lightness of canoe trips and the gallivanting international travel of my twenties. I want to discard before we rupture.

The full heart—

This silly puppy sleeping upside down at my feet. My daughter’s head nestled on my chest. Her whispered I love yous. My son charging toward high school, ready to take on the world. This spouse of mine who shares the load and washes dishes and makes me laugh.

And you, friends. Definitely you.

This is bursting at its best.

The Cure for Modern Life

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I lie at the end of our swimming dock, face down. My forehead and nose and thighs and shoulders press against the rough boards.

The silvered wood has seen winter and summer, summer and winter. I have scrubbed it on hands and knees and let it dry and brushed on Thompson’s water seal. Then droplets of water bead upon it like tiny jewels, holding a spark of the sun.

Through the cracks in the boards I see the glint and swish of shadowed water. Tiny waves lap against the rocks piled in the crib, which supports the dock. On my back is sun, tussling with the breeze, as one tries to warm my bare skin and the other raises goose bumps along it.

A dock spider nearly the size of my hand, gray-furred like a mouse with so many more legs, guards a marble-sized, silken ball of eggs. Out on the water, the pair of loons that nests, year after year, on the island in the portage bay sails past, cooing the way they do. Those small sounds of love.

This is my place. This is where I go when I need to remember the important things.

In TRUE NORTH, Elliott Merrick writes:

It is the land, the long white lakes, the forests and mountains and rivers, the space and the northern lights and the cold and beauty.  Nothing within the scope of our comprehension is as worth knowing as the heart of that.  Even if there were no reason, no benefit, even if it were not an antidote for every poison that complex living distills, even if it were not strengthening and sparkling, this would still be so.

His North is blanketed in snow and ice. Mine is held in the arms of summer. But the answer is still true–the cure is in the wilderness.

 

Learning my lesson–again

3d-spiralI had this series of parenting books when my kids were little: Your One Year Old, Your Two Year Old, etc. The most useful part of them was a spiral diagram somewhat like this.

The idea was that every six months or so a young child goes through a major developmental leap, which throws all systems into chaos and turns your offspring into a possessed devil child for six months. Then things sort out and you get six months of easy-breezy rock-star-mom until the next twist of the developmental knob.

I found this diagram incredibly reassuring. Hard times pass. Good times will come. And as we cycle through all this learning and growing, we are moving upward on the spiral to greater understanding, greater patience, greater impulse control, etc. Reassuring, too because the diagram denies that we learn something once and nail it into existence of,r ever and ever. The diagram declares that we must learn and relearn our lessons, over and over, each time with greater depth and skill.

So… the end of last year and the beginning of this have been challenging. I took some heavy blows, both personal and professional. I mentioned this in my last post and it doesn’t bear belaboring. After the things (yes, I am being purposefully vague) happened, I found myself second-guessing the choices I was making in both my writing (actually words on the page choices) and the choices I was making in some interpersonal interactions.

What I want to share is this: I had to learn my lesson again. I had to keep moving up the spiral. And what was my lesson, you ask? My lesson is this:

I must trust the authority of my own vision as a writer, as a parent, and as a human. I’m not a child, who does something and then straightaway looks to Mom or Dad for approval. I’m an adult walking through this world making choices based on my values and that is authority enough.

Proceed.

“You Don’t Have To Try So Hard”

IMG_1564A few years ago I was teaching a workshop at a writing retreat. The event was sponsored by an organization that I care about, and I really wanted to do a good job. I prepared what I hoped would be whiz-bang-inspiring content that would give participants a toolbox for writing success. I practiced my talk. I got jazzed up and poured on the energy and enthusiasm during the presentation.

The talk went well. I could tell that the audience was engaged. I felt good about it…

… until about twenty minutes after I was done.

A fellow writer who I know professionally but not well came up to me and said, “You don’t have to try so hard. It won’t do any good.”

I went to my room and cried.

This month, I’ve been assailed on all sides—professional disappointments, family stressors, and an intense confrontation with someone whose criticisms cut to the very core of who I am as a person. But I try so hard, I lamented. I try to do my best work, to be my best self. I try and try and try.

And as I cried about all these new challenges, the words of my colleague, which I had found so deeply hurtful, returned: “You don’t have to try so hard. It won’t do any good.”

What I think she meant was this: no matter how hard I try there will still be people who don’t like the way I work, who don’t like my writing, and who don’t like me. The trying will not change their minds.

And thus, maybe it’s not about trying harder at all.
Or about working more.
Or being better.

Maybe I don’t have to try so hard because I am already enough.

As this year winds to a close, as we face a new year rising, this is what I want you to hear:
You—exactly as you are—you are enough.

And I love you.