All posts by Amber

The paralysis of trying to “do it right”

Cosplayer Ryosama as Cowgirl Ed (Photo by Digital Celsius)
Cosplayer Ryosama as Cowgirl Ed (Photo by Digital Celsius)

Children’s literature is powerful.

I know this because certain books have changed my life. They have changed the way I view the world and my place in it.

I know this because of the brouhaha that explodes whenever some journalist writes about whether young adult fiction is too dark, too complex, too negative, too whatever.

I know this because of the  #YAsaves response to criticism of darkness in YA.

I know this because the campaign to increase diversity in children’s literature has taken over my internet feeds and sent reverberations through media culture in general. (Check out #WeNeedDiverseBooks)

The companion to the power and influence of children’s literature upon real, live, beating-heart humans is the pressure it puts on me as a writer of children’s literature to “do it right.”

Author Christa Desir captured this exactly in her review of THE BUNKER DIARY by Kevin Brooks. (Read the whole thing here.)

I’m fascinated by the burden of responsibility that seems to fall on the shoulders of those of us who write for children. I’m not completely clear who decided on the rules about YA books, but there seems to be an insistence that if the books are going to be about difficult things, then they need to somehow “save”. I have long hesitated at this notion that YA Saves because I think it puts us in the position that we must then acknowledge that the opposite can be true too. That if we’re going to assert that YA books save lives, then we have to allow that they can damage people. And this power makes me very uncomfortable.

I am only me and yet I am trying to write about people different from me with experiences far broader than my own. I want to “do it right.” I want to be authentic and reflective and respectful and honest. I want my books to be “true” even in fiction.

And in all this striving to tell stories that stretch beyond me, there is a very real danger of paralysis as a writer. In a recent conversation with my coauthor Kiersi Burkhart about our middle grade series Second Chance Ranch, I found myself expressing some very real fears about my ability to write diversity. I care so much about doing it right that I was afraid to do it at all. I can’t write about gamers. I can’t write about an overweight character. I can’t write about a black girl.

But the alternative?

Not writing.
Or worse, only writing about a bunch of skinny white girls who love horses.

I can’t face either of those alternatives.

In the midst of all this angst, I found Kate Brauning‘s wonderful post on Pub Hub about Writing Ethical YA. You absolutely must click here and read the whole thing, but let me leave you with the line I found most encouraging, the one that allowed me to shake off the paralysis.

If you’re showing real life and helping fill in the gaps, you’re doing just fine, and I want to read your book.

Thank you, Kate. This is exactly what I needed to hear. Now to get back to that black cowgirl who loves cosplay and isn’t super psyched about her weight…

Double knot those laces!

IMG_1533I’m getting really excited for the publication of my nonfiction book SNEAKER CENTURY: A HISTORY OF ATHLETIC SHOES (Twenty-First Century Books, January 2015). It was fun book to write and it will be fun to see it in the hands of readers. The book earned a nice review from Kirkus and another from Booklist. Here’s one from School Library Journal that leaves me grinning ear to ear. I’m glad to be able to share it with you.

Trainers. Tennies. Kicks. No matter what they’re called, athletic shoes have played an important role in American culture and the global economy during the past century, and this insightful look at the history of sneakers traces the shoes, from their humble origins in the Industrial Revolution to their current status as part of a multibillion dollar industry. While the text acknowledges the crucial role shoes play in athletic performance—a fact of which most readers are likely well aware—it does not dwell upon it. Instead, Keyser peppers the narrative with lesser-known human interest stories, such as the sibling rivalry between shoe manufacturers Adi and Rudolf Dassler that spawned Adidas and Puma. Equally fascinating is Keyser’s examination of the role youth culture has played in the athletic shoe industry (and vice versa) as well as her look at the seamier side of shoe manufacturing, including the extreme disparity between foreign labor costs and the price of the final product. While not comprehensive, the text provides readers with a solid understanding of sneaker culture. The graphics complement the text without overshadowing it, though there’s a lot of white space on some pages. Readers of all stripes will appreciate the role sneakers play in our lives. A fun and informative addition.

–Audrey Sumser

The kindness of book people

IMG_4920This weekend, I was lucky enough to spend three days in beautiful Dumas Bay with book people. I woke today wondering how to capture the SCBWI-WWA retreat in a blog post.

Bald eagles.
A run in the rain.
Cookies and whisky.
Feeling like a giantess in my tiny convent room.
Hilarity and sand dollars.
Open hearts.

How could I give this to you, I wondered, in a wrapping of words that captured falling leaves and infinite mud flats and the way sound carries over water?

Then my writer friend, Kiersi, posted an article about what makes relationships last.

The answer? It is so simple. Kindness. Walking toward the outstretched hand and taking it. Holding out your own.

In one of the sessions this weekend, Sara Crowe, talked about the characteristics of career authors. One of them was to be kind, to reach out your hand to the editors and the assistants, to the published and the not-yet-published, to all you meet along the way. And while he might not have realized it, Andrew Karre reminded us to be kind to ourselves, to shut out the noise of reviews and the market, the expectations of genre, and the general cacophony that gets in the way of turning the multitude of wonders in our cupboard into story.

So this is what I want to tell you about my weekend: It was replete with kindess.

  • The kindness of Sara and Andrew when they talked about their authors and their books written and unwritten.
  • The kindness of critique partners who saw strength in the craft of others and named it.
  • The kindness of writers who shared the stories of their hearts with me and who, in turn, listened to my own. 
  • The kindness of laughing together (and leaving no one behind on the mud flats).
  • The kindness of every moment that honored both the gifts and challenges of this thing we do, this thing we share, the way we strive to bring forth the story only we know.

Thank you, Andrew and Sarah. Thank you, Allyson and Lois. Thank you, compatriots. It was a beautiful weekend.

Olympic endorsements, rap music, Air Jordans, jogging in the 70s — Discuss!

?????As the release date for my newest nonfiction title SNEAKER CENTURY approaches, reviews are starting to come in.

Nerve-wracking? Yes.
Exhilarating? Also Yes.

It’s exciting to know that real live humans will be reading my book soon. I had a ton of fun writing this one. It’s nice to know that Kirkus thought it was good (other than the personal trauma of the 1970s jogging boom, which I totally understand). If you are a blogger, reviewer, teacher, librarian, or bookseller, I can send you a pre-approved link to the digital ARC on NetGalley. Just drop me a quick note.

Anyway… here’s what Kirkus had to say!

A comprehensive look at the rise of sneakers in American culture. Exploring a narrow field that nevertheless yields plenty of interest, the author shines a light on several aspects of sneaker culture. Topics range from the footwear’s early development in the early 19th century to its rise in popularity that coincides with the rise of the American teenager. The book’s layout augments the text with colorful infographics and various small sidebars that, while not necessary to the historical narrative, are well worth highlighting on their own. Discussions of the shoe’s rise to fame in the 1950s and resurgence in the 1980s (both thanks to popular figures like James Dean, Steve McQueen, Run-D.M.C. and Michael Jordan) are the best bits. A portion regarding Olympic runners and shady endorsement dealings makes for another amusing section. A discussion of the global economics of shoe manufacturing arrives a bit too late in the book to capture readers’ interest, and it doesn’t help that this section is much less elaborate than all those that came before it. Another lesser moment is a look back at the 1970s fad of “jogging,” something no one wants to be reminded of. An illuminating and amusing look at a subject with much more history than one might expect. (Nonfiction. 12-16)

Internet: all things good, bad, and ugly

If only internet trolls were this cute
If only internet trolls were this cute

Back in high school when I spent hours on the floor of the blue room in Powell’s reading anything and everything that caught my fancy, I never would have imagined contacting any of the authors I loved. How would I find them? Surely they were too busy and important to talk to me. They wrote books not socialized! My interactions with the authors were mediated through the page. Whether I loved their books or hated them, the authors never knew about it.

Now I write books but everything has changed.

Technology has dismantled the barriers between reader and author. Mostly this is a beautiful thing. When I love a book, I tweet or email the author and tell them so. Often they respond and it feels great to have made a personal connection with someone who made something that touched me. On the flip side, when someone reaches out to me to say they like something I have written-Wow! Zing! Amazing! That feels great too.

Thanks to Twitter, Facebook, Goodreads, Google+, Tumblr and the rest, lots and lots of readers and writers are talking about books. It’s a great way to find delicious new titles and to explore literature in community. I’m learning all the time from the smart people I am now privileged to connect with thanks to ye old internet. I love that.

But these past few week… oh man… I’ve been wanting to go back to the good old days where I read a book, liked it or hated it, and that was it. Instead I’ve followed the train wreck that is the case of author Kathleen Hale responding to negative reviews by stalking the blogger at her home. (I’m not going to link to the article in the Guardian. Sorry click counters.) This, writ large and very ugly, is the situation in these “good” new days of the Internet.

Many people review and blog about the books they read. It is easy for any author to find and read all these opinions-love it, hate it, fell asleep reading it, would rather clean toilets than read it. It is hard for us to hear the bad reviews. (It hurts.) But is, in fact, our job to take the bad with the good because, after all, we write books so actual people will actual read them. (It still hurts.)

On the reader, and especially the book blogger, side of things, we get to love or hate those books. We really do. And we we get to talk about them online if we want to. Free speech, people. And I rely on the critical reviews (i.e. well-rounded, literary criticism like that of @catagator, @chasingray, and @tlt16) of knowledgeable, thoughtful bloggers to guide both my reading choices and my pursuit of better craft in my own writing.

This should, in the brave new world of interconnected authors and readers, be civil discourse on ideas and craft and story and emotions and the whole messy business of narrative. When it works, it’s beautiful. When it fails, I want to decapitate the internet.

The personal fails go both ways. From the aforementioned author stalking a blogger and making other bloggers fear for their safety to the reader who has cyberstalked author Melissa Anelli with a multi-year avalanche of violent threats.

And then there are the anonymous multitudes who shower feminist writers, gamers, cosplayers, critics and vloggers with threat after threat after threat-rape, murder, rape then murder-for exercising their right of free expression.

Who are these people?
Who does this?

What reader is so infuriated by a piece of writer that he or she rushes to the computer, types I am going to rape and murder you, and then hits send?

This is a question that keeps me up at night. It’s a fear that niggles at me when I write something that I know will trigger someone. It’s a fear that is prompting some book bloggers to question whether they want to keep doing what they are doing.

What sickens me more is that this is not something that just happens to authors and bloggers. Children are susceptible to disgusting messages that undoubtedly come under cyberbullying. 87% of kids have seen cyberbullying taking place online, which is worrying.

What do we do?

Like blogger Liz B, we talk about it. There’s no sense pretending this stuff doesn’t happen. We can follow blogger Kelly J’s excellent privacy steps, and for writers dealing with reviews, there’s the Carrie Mesrobian approach-complain to our trusted in circles and let it go (plus Norman Reedus). We can recognize the way we make ourselves vulnerable online (good piece here).

For me as a writer, I can’t let fears about how someone will judge my work get in the way of the process and so I will always return to the story. Reading and writing books have saved my life. I want connections with authors and readers. Let’s make those connections a force for good in the universe.

Right and Real

IMG_9773I won’t lie. Writing a book is hard. It’s often a slog, a get up, type words, hate words, type more words, go to sleep kind of slog.

But sometimes… oh yes sometimes… it’s bone-deep, flesh-thick love.

And happy, surprisingly happy.

I’ve written elsewhere about the pain and loss that went into the writing of my debut novel THE WAY BACK FROM BROKEN. Long ago when I took the first chapters to my critique group, Viva Scriva, Nicole asked me if I was ready to dig into such personal and painful material.

I was ready but that didn’t make it easy.
There was much heartbreak along the way.

This week I spoke with my editor, Andrew Karre, about his editorial notes. Today, I dove into yet another revision.  What I found was joy. I am reading back through this sad sad story and feeling elated that so much of it is right and real. (Yes, I am singing One Song Glory from RENT in my head right now.) As I dive deep into each sentence and every word, I have to opportunity to make this story even more true.

I have done one good thing.
That is enough.

Grab Your Pony and Get Ready for a New Book Series

IMG_4756
Me at six with Jeannie and her foal

I was a horse crazy girl.
I’m a horse crazy grown-up.

Recently, I found out that one of my fav writer friends, Kiersi Burkhart,  grew up on a ranch in Colorado. Together we dreamed up Second Chance Ranch, a place in the foothills of the Rocky Mountains where trouble kids go to find their way again.

We are so excited to announce the sale of our new book series to Darby Creek, an imprint of Lerner, coming your way in 2016 and 2017. Each book features a girl and her horse, meeting life’s challenges together. Kiersi and I can’t wait to tug on your heart strings and make you want to saddle up and ride with us!

PL second chance ranch

 Sometimes what a kid needs most is a horse.

 

 

On Ghost Ships and Loss

ghostship

When I was pregnant with my first daughter, I saw, as if prescient, the life we would share—a voyage laid out upon a map of the future, our ship heading out to sea. And then there was death, and our ship rode the waves half in and half out of life. She could not remain with me nor I with her no matter how desperately I wished it.

Our vessels diverged, hers ephemeral and moon-pearled, upon waters I could not travel. She bore away the life I believed we were meant to share. My own craft, war-beaten and barely seaworthy, foundered.

As I limped sail-tattered and broken-masted on a course set by winds that refused to listen, I watched the ghost ship that carried my daughter. Across the swells, I saw her grow into a plump-limbed toddler, her auburn curls twisting in the sea wind. A lithe girl, easy with laughter.

And when she was no longer visible in the distance, I watched the ship as long as I could in the broad expanse of longitude and latitude.

I can no longer see the ghost ship.

I did not follow its course.

I can not imagine her fourteen-years-old.

I could not live that voyage.

— For Esther

With thanks to Cheryl Strayed and Tomas Tranströmer for writing about ghost ships and grief.

On Homeward Mornings

I wake to NPR on the radio. The world is in my ear, and my house bustles with all the usual things—kids and Minecraft, soccer practice, laundry. I scramble to complete enough work so I can walk away. I mainline coffee in this last minute hurricane of preparations to leave.

The chickens are fed. The cars are tucked into the garage. The automatic timer on the garden sprinkler is set. The auto-responder on my email says my family is going off-the-grid for three weeks. We are leaving the schedules and online calendars that rule our every waking moment, saying so long to the social media which reports our daily dramas, unplugging all those irresistible electronic devices.

DSC01681

I am going home.

It will take all day.

By plane then car then boat, we are pointed like a compass needle to a singular place.

At the far end of long, sprawling lake in Algonquin Park, its bays spreadeagled to the west and east, is a tiny piece of perfect built by my grandmother in the 1930s. The main cabin has a wood stove, a few propane lights, a propane oven and fridge. A hand pump brings water into the kitchen from the lake. Our drinking water comes from a spring on a nearby shore. There are two small sleeping bunkies and two outhouses.

Home.

DSC02014I wake to an expanding blue. Balsam tree tops sweep across this newborn sky, tickling dawn as the sun springs over the end of the lake. Through the open windows over my bed, the maples stretch and sway. Small things—deer mice, red squirrels, toads—rustle in the crispy layer of last year’s leaves.

We heard wolves in the dark of the morning. First the pups yipping all at once. I can tell instantly they are in the beaver meadow behind the cabin. An adult on a distant hill howls to the pups. I imagine she is saying I’m coming home soon. 

DSC01820My daughter has already squirmed from under her pile of down quilts and Hudson bay blankets in the bed beside mine. She will be with my mother in the main cabin, drinking cocoa. Leaving my husband and son sleeping, I slip out of my own warm cocoon into chilly clothes, and I follow her, ready to wrap my hands around a seventy-year-old enamel mug of hot coffee.

Home.

IMG_1195I wake to a scattered patter of droplets on the roof of the tent. The boughs above are shaking off last night’s rain. Beside me in a silky hiss of nylon, my husband rolls over in his sleeping bag. Out on the lake a loon wails at the morning and the warbling call of another in flight responds from over the treetops.

We have followed in my grandmother’s footsteps once again. For much of her youth, the cabin she built was a staging ground for her canoe guiding business, a place to store canoes and paddles, cook pots and canvas Duluth packs over the winter. Each summer she packed her canoes, picked up her clients from the train station, and led them into the Canadian bush. Like her we have left the cabin and entered the wild backcountry where all we need to do is paddle the lakes and carry our loads and wait for the world to unfold before us.

IMG_1193Doing my best tent contortions, I dress, slipping on three-day socks and push my feet into night cold boots. Unzipping the door I stretch into the day. This morning and every morning on our nine-day canoe trip, I am the first one to emerge. My children still sleep in the tent beside mine. I hear the low murmur of voices from my parents’ tent. They will wait for me to light the fire and put water on for coffee before they emerge.

Home.

I wake to the grey-orange haze of the pre-dawn city in the distance. The crickets who buzzed and hummed me to sleep have finished with their amorous singing for the night. The only sounds are the steady breath of my sleeping husband and the click-click-click of the ceiling fan. I have to remind myself where I am, a world away from lake steam rising golden in a new-risen sun.

I pad to the bathroom careful not to wake my family. I don’t bother with lights. I’m used to waking in the dim light of early morning, and my fingers have nearly forgotten switches. The flush toilet and rush of warm tap water startle me. Wrapped in my robe, I stare at the coffee maker, trying to remember where the water goes, how to grind the beans. Tentatively I hit the switch, and instantly the shiny machine begins to gurgle, enveloping me in the smell of morning.

There is laundry which smells of wood smoke and mosquito repellent, and mail to be sorted and email-facebook-twitter ready to pounce.

But not yet.

IMG_1254There are words, swirling through me like this oh-so-strong-the-way-I-like-it coffee. They have been carried from lake to lake on portages lined with ferns and false Solomon’s seal and wild raspberries. They have slid through clear, deep water on the maple blade of my paddle.  They rise intent and exuberant like a wolf call, like my children from sleep, like a homeward-headed airplane.

Like my keening heart which always tends toward its very best place.

Home.

Me and Lou Reed, or Why Punk is My Soundtrack

My father-in-law, kicking ass and taking names
My father-in-law, kicking ass and taking names

This morning my running partner was Lou Reed. He captured just the right mix of rage and awe to describe the fucked-up, amazing, cruel, gorgeous state of being that is my life today.

This world it breaks my heart. We are birthed. We love. We are left behind. We die.  All while Facebook screws with us and kids get kidnapped because they’re Jewish or Palestinian and the Antarctic ice sheet is going and the Supreme Court has shoved its man-fingers up my crotch.

And cancer.

Fuck. It makes me swear blue and cry red. Leave my people alone, I want to yell.

I may be a forty-three-year-old white lady loading kids in Subaru wagon, but as I grieve the death of my father-in-law and the pain of my husband, punk is the only soundtrack I want.

Send me your best tracks, people. Consider it a condolence offering.